Composer of Turkish Classical Music (Born 1710? - Death 1780 ?,
Istanbul).She is a prominent female composer known as Dilhayat Kalfa, Dilhayat
Kadın and Dilhayat Hanım in Classical Turkish Music Literature. As one can see
from her name, she was raised in the palace and obtained the rank of a “kalfa” (A title given to female officers in the
Opinions of many researchers unite about that she was born in the last years of Mehmet IV. After living under the reigns of Sultan Süleyman III, Sultan Ahmet II, Sultan Mustafa II and Sultan Ahmet III., it is believed that she passed away in Istanbul around 1740 (28 December 1739). Some sources indicate the date of her death as 1740 or 1780.
As one can realize from her remaining works, our composer composed her songs with an excellent technique and a sovereign esthetics. Maqam sequences and prosody are excellent at her works. Especially Evcara Peşrev and Saz Semaîsi are products of a composition skill near to one of a genius.
Kalfa has instrumental works such as Büzürg Peşrevi, Evcara Peşrevi, Çifte Düyek Evcara Saz Semaîsi Sipihr Peşrevi, Muhammes Mahur Saz Semaîsi Hüseynî Peşrevi, Hüseynî Saz Semaîsi Neresin Peşrevi (Hezar-Dînar), Neresin Saz Semaîsi Müselles Peşrevi and Sakiyi Müselles Saz Semaîsi. Besides she has works with lyrics such as Mahur Beste (Devr-i Kebîr: “Ta-be-key-sînemde ca etmek cefa vü kîneye”), Saba Beste (Ağır Hafif: “Yek-be-yek gerçi ırmrad-I dili takrir etdim”), Evç Beste (Ağır Remel: “Çok mu figanım ol gül-i zîba-hıram için) and RastBeste (Ağır Hafif: “Nev-hıramım