Raik Alnıaçık

Theatre director-researcher. He was born in Bursa in June 27, 1943. His full name is Ahmet Raik Alnıaçık. He was graduated from Ankara State Conservatory Theatre High Department (1957). He worked as head of Istanbul State Conservatory Theatre Department Subdivision (1980), as manager of Istanbul State Theatre (1981), as General Manager of State Theatres (1986-88), as Art Advisor of Istanbul Culture and Education Foundation (1992-). He worked as manager of State Theatres Art Foundation (1987), Art and Art Lovers Foundation (1997). He wrote in Halk Evleri Dergisi, Türk Dili, Devlet Tiyatroları magazines. He attended to various national organizations.

WORKS:

RESEARCH: Tiyatro Tarihi (1979), Türk Tiyatro Politikası (1986).

PLAY: Çark (adaptation from Sartre, trans. by Tahsin Saraç, 1964), Duvarcılar (1966).

REVIVAL: Yoklar Dağındaki Nar (M. Z. Taşkın, 1961-62), Karaların Memetleri (Cahit Atay, 1964-65), Ayakta Durmak İstiyorum (Tarık Buğra, İstanbul Efendisi-Müzikal (with M. Canova) M. Celal Nevit Kodallı, 1965-66), Medea (M. F. Ozansoy, Menekşe Yaprağından İncinen Kız - Sevil Sanlı, Yakut Balık - Ergun Sav, 1966-67), Akadın Yayı (Güngör Dilmen, 1967-68), Kral Üşümesi (S. K. Aksal, Medea - M. F. Ozansoy, 1969-70), İbişin Rüyası (Tarık Buğra) - Şair Evlenmesi (Şinasi) (1971-72), Koca Sinan (R. Hayati Çorbacıoğlu (Kıbrıs), 1972-73), Fatih Nazım Kurşunlu (1973-74), Yaralı Geyik (Necati Cumalı, 4. Murat (opera, Gökçer ile beraber), Akümülatörlü Radyo (Tarık Buğra, 1980-81), Gılgameş (Orhan Asena, 1982-83), Roksalan (Orhan Asena, 1985-86), Mediha (Yüksel Pazarkaya (Almanya), 1987-88), Yusuf ile Züleyha (opera, C. Gökçer ile Okan Demiriç - Nezihe Araz, 1990-91), Ballar Balını Buldum (Nezihe Araz; Yunus Emre, Recep Bilginer (Üsküp), 1990-91), Ferhat’ın Yeni Acıları (Yüksel Pazarkaya, 1992-93), 4. Murat (Tufan Oflazoğlu, 1994-95), Ağrı Dağı Efsanesi (Yaşar Kemal, 1995-96), Savaştan Barışa Aşktan Kavgaya (M. Kemal Recep Bilginer, 1997-98), Külhan Beyi Operası (Ülkü Ayvaz, 1998-99).

REVIVAL (Trans. Play): Mavi Kuş (from M. Maeterlinck, 1959-60, 1971-72), Küçük Kolonbus (from C. Lorey, 1960-61), Don Kristobito ile Dona Rozitanın Acıklı Güldürüsü (from G. Lorka, 1962-63), Bizim Şehir (from T. Wilder, 1963-64), İki Kova Su (from A. E. Grediance, 1965-66), Kaktüs Çiçeği (from Barillet and Gredy, 1971-72), Hedda Gabler (from H. İbsen, 1972-73), Klinik Bir Olay (from Dino Buzzatti, 1974-75), John Gabrial Borgman (from H. İbsen, 1975-76), Yanlışlık (from A. Camus, 1975-76), Marius Marcel Pagnol (1976-77), Suçlular Çağı Suçsuzlar Çağı (from S. Lenz, 1976-77), Genç Verterin Yeni Acıları (from Ulrich Plenzdorf, 1977-78), Kurnaz Avukat (collective French play, 1977-78), Sevimli Hayalet (from M. C. Machado, 1973-79), Kedi Evi (from C. Marscham, 1970-80), Truva Savaşı Olmayacak (from J. Giraudoum, 1980-81), Rita (from M. Russel, 1981-82), Kül Kedisi (Dance-theatre, from J. Wilhelngrimm - S. Prokofiber, 1981-82), Ermiş Jeanne (from B. Shaw, 1986-87).

REFERENCE: İhsan Işık (TEKAA, 2009).