Necip Dinç

Mimar

Eğitim
Istanbul Yıldız Technical University Faculty of Architecture

Architect. He was born in 1945 in Şarkışla district of Sivas. He completed his primary and secondary education in Sivas, his higher education in Istanbul Yıldız Technical University’s Faculty of Architecture (1969). He worked for a short period in the Ministry of Public Works. Upon completing his military service, he started to work as a freelance architect. He worked until 1980 as a designer, consultant, and building inspector. Meanwhile he realized some works and applications concerning religious architecture buildings. Sivas Pasha Mosque and Adana Sabancı Central Mosque and Social Complex can be regarded among these works.

Necip Dinç made the project planning and construction coordinating of the social buildings of Sivas Toptancılar Çarşısı (Sivas Wholesalers Bazaar) with a team between 198 and 1984. Between 1984 and

85 he prepared projects and conducted applications of Abdüsselam el-Esmeri Mosque, tomb and social complex in the Ziliten city of Libya whose structure was undertaken by Özdemir Construction Company. Meanwhile he took over the construction of Abdünnur Mosque from another company and finalized it. All these projects are works pertaining to Classical Arabic Architecture style.

Upon returning to Turkey, Dinç undertook the consultancy of a wedding hall being built by the Municipality of Sivas. In the same time he prepared the projects of Sivas Cumhuriyet University Mosque and Sivas Toptancılar Çarşısı Mosque in a post-modern style. In 1988 he prepared all architectural projects and details of Sabancı Central Mosque and Social Complex built by the leadership of Turkish Religious Foundation’s Adana Branch. He conducted its consultancy services until its opening date in December 1998.

Necip Dinç meanwhile realized projects of Malatya İnönü University Mosque and its extensions. Upon the will of the clients this project rather resembles to classical architectural style like Adana Sabancı Central Mosque. This project he realized benefiting from the styles and possibilities of modern architecture is one of the most important works in his career. One of the last works of Dinç is a small social complex design belonging to a mosque and its extensions he built in Kosturma city of Russia. This project is a synthesis work in which the local architectural style is in the foreground.

Adana Sabancı Central Mosque and Social Complex built by Necip Dinç who is deemed as today’s Sinan is the fourth biggest mosque of Middle East. Its dome with a diameter of 32 meters is the biggest in Turkey. The mosque which has a surface of 6600 square meters is large enough to host 28.000 people. The Architect Necip Dinç here remained loyal to the essence of Ottoman Architecture by using Ottomans’ cultural accumulation, world view, finesse and composition. These works to which he reflected his beliefs, traditions, customs and manners in his inner world are regarded by some as a match of Selimiye Mosque, sibling of Sultanahmet Mosque, contemporary of Kocatepe Mosque.

The mosque is based on nine columns and was built due to classical Ottoman architecture. The architect expressed all zones used in this mosque with a symbol. For example 4 half-domes symbolize 4 books, 4 caliphs and 4 sects. 5 domes 5 conditions of Islam, 6 minarets 6 conditions of faith, the main dome which has a diameter of 32 meters 32 religious duties, 28 domes in the yard 28 prophets who are mentioned in the Koran, 40 windows in the main dome the age when Muhammad became a prophet and 40 parts of daily prayers, the 4 minarets which are 99 meters long indicate 99 names of Allah…

One of the last works of Dinç is Malatya İnönü University Mosque and Cultural Center whose foundation was laid on the 25th of February 1993 and which was partially opened to worship seventeen years later. Its construction consists of two parts: the main place and the yard with fountain. This complex is separated with the dilatation method (the space left within certain parts of long structures in order to prevent cracks due to horizontal or vertical loads.) which provides easiness in many aspects. The yard with fountain was designed two-fold benefiting from the elevation difference in the direction of North-South. The ground floor is an area of 2500 square meters and it will serve as a Cultural Center. The other floor contains conference halls, library and reading halls. The project with its poetry-like esthetics rising to the sky and the mosque’s garden with its wide and usable areas contribute to Malatya’s attraction at the highest level.... 

The spirit of Selimiye Mosque which is the synthesis and summary of Sinan’s whole works he realized with a patient quest was taken as basis. Within this extent it was attempted to catch the perfection in the plan, place and façade in terms of harmony.

 

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